A New Era of Mythmaking: 'Kalki 2898 AD' Review
Introduction
to an Epic
Overview
Lord Vishnu’s final incarnation on the earth, descends to the planet to protect the world from evil forces.
Nag Ashwin's "Kalki 2898 AD" is a spectacle unlike any other. With a budget exceeding ₹600 crore ($75 million USD), it's India's most expensive production to date. While comparisons to American sci-fi giants like "Dune" or "Blade Runner" are inevitable, it's crucial to appreciate the distinct approach of India's film industry. This film stands as a testament to Ashwin's love for grand-scale sci-fi epics, paying homage to the genre while crafting a unique narrative.
Building a Cinematic Universe
"Kalki 2898 AD" is the second installment in a planned cinematic universe, following the animated series "Bujji & Bhairava." Understanding the dynamics between robot Bujji (Keerthy Suresh) and bounty hunter Bhairava (Prabhas) is essential, as their chemistry is established in the series. Ashwin's decision to integrate his short animated series into the cinematic universe is bold, setting the stage for future films and shows.
A World of Utopia and Dystopia
The film's worldbuilding is a visual feast, blending traditional mythmaking with futuristic science fiction. The story revolves around Bhairava's mission to hunt down Sumathi (Deepika Padukone) after she escapes "The Complex," a utopian city ruled by the totalitarian God King Supreme Yaskin (Kamal Haasan). The reasons behind Sumathi's hunt are revealed gradually, adding depth to the narrative.
Stellar Performances
Prabhas shines as Bhairava, delivering his best performance since "Bahubali: The Conclusion." His portrayal is charismatic, intense, and emotionally compelling. Deepika Padukone's nearly silent performance as Sumathi is moving, while Kamal Haasan's brief but powerful appearance as Supreme Yaskin leaves a lasting impression. The film's characters are well-developed, with their arcs interwoven seamlessly into the larger narrative.
Amitabh Bachchan Shines
Amitabh Bachchan commands the screen as Ashwatthama, a towering figure standing nearly eight feet tall. His imposing presence and authoritative demeanor leave no doubt about who is in charge. He convincingly tosses men and machines alike, showcasing his might.
Visual and Aural Spectacle
The visual effects in "Kalki 2898 AD" are breathtaking. Cinematographer Djordje Stojiljkovic's work is reminiscent of Roger Deakins' "Blade Runner 2049" and Greig Fraser's "Dune," creating lush, painterly visuals that immerse the audience in the film's world. The action scenes are meticulously crafted, with a standout desert chase sequence that rivals Hollywood's best.
A Blend of Myth and Science Fiction
Ashwin's skillful blend of Indian mythology and science fiction sets "Kalki 2898 AD" apart. Flashbacks featuring a de-aged Amitabh Bachchan enrich Bhairava's story, while hand-drawn animated sequences add a historical dimension. The narrative's foundation in real-life texts and history grounds the film, making it relatable and profound.
Music: A Blend of Tradition and Futurism
The music in "Kalki 2898 AD" is a mixed bag.
Santhosh Narayanan skillfully pays homage to the Bhagavad Gita and old Telugu
classics, seamlessly transitioning into a futuristic gaming zone soundscape.
However, some songs may take a bit of getting used to for the audience.
Final Take
"Kalki 2898 AD" is a groundbreaking film that sets a new standard in Indian cinema. Its blend of grand-scale sci-fi, mythology, and compelling performances makes it a must-watch. Ashwin's vision for his cinematic universe is clear, promising an exciting future for fans. This film is a monumental achievement, showcasing the potential of Indian filmmaking on the global stage.

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